Sommarens mest hyllade storfilm - Inception

Inception

Kritkerna är lyriska inför nya filmen Inception - här är delar av vad de skriver.

The Hollywood Reporter: ” A devilishly complicated, fiendishly enjoyable sci-fi voyage across a dreamscape that is thoroughly compelling.” … “”Inception” puts him not only at the top of the heap of sci-fi all-stars, but it also should put this Warner Bros. release near or at the top of the summer movies. It’s very hard to see how a film that plays so winningly to so many demographics would not be a worldwide hit.” … “Sometimes originality comes at a cost though: At the end, you may find yourself utterly exhausted.”

Variety: “If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most inventive dreamers, given the evidence of his commandingly clever “Inception.” Applying a vivid sense of procedural detail to a fiendishly intricate yarn set in the labyrinth of the subconscious, the writer-director has devised a heist thriller for surrealists, a Jungian’s “Rififi,” that challenges viewers to sift through multiple layers of (un)reality. As such, it’s a conceptual tour de force unlikely to rank with Batman at the B.O., though post-”Dark Knight” anticipation and Leonardo DiCaprio should still position it as one of the summer’s hottest, classiest tickets.” … “If “Inception” is a metaphysical puzzle, it’s also a metaphorical one: It’s hard not to draw connections between Cobb’s dream-weaving and Nolan’s filmmaking — an activity devoted to constructing a simulacrum of reality, intended to seduce us, mess with our heads and leave a lasting impression. Mission accomplished.”

Cinematical: “Nolan, working with the sort of confidence (not to mention free financial reign) that comes from making a studio a mint on one’s previous picture, crafts an amazingly sophisticated, subversive, thoughtful, and even occasionally confusing (albeit in only good ways) tale about the layers of reality in the mind that calcify and crumble when constructed from the raw materials of memory and emotion. At the same time, he’s made an utter crowd pleaser, an epic piece of entertainment that ultimately feels so simple precisely because of all of its complexity, and one that rouses and inspires and excites in the same way as blockbusters comprised of pure spectacle.” … “Watching the film, there’s a palpable sort of glee that Nolan takes in setting up the rules for his mental universe and then betraying them, contradicting them, or destroying them outright.” … “Ultimately, Nolan’s is probably not the kind of movie that should be written about after just one viewing, and shouldn’t be viewed even once with any preconceptions or expectations, sky-high as I may have made them for folks who read this far. ”

Empire Magazine: “Like The Matrix mated with Synecdoche, New York — or a Charlie Kaufman 007. To paraphrase Casino Royale’s Vesper Lynd, it’s a meaningful pursuit in a summer of disposable entertainments. With physics-defying, thunderous action, heart-wringing emotion and an astonishing performance from DiCaprio, Nolan delivers another true original: welcome to an undiscovered country.”

Thompson on Hollywood: “The movie keeps you on the edge of your seat, focused intently on what’s happening. Otherwise, it would be easy to get lost. Structured like an intricate maze, Inception takes the viewer through interlocking sets of dream realities. ” … “Inception not only references the “levels” of complex video gameplay, but also functions as a metaphor for the creative process of moviemaking itself”

HitFix: “suffice it to say that “Inception” is an exhilarating cinematic experience that suggests there is still room, even in the blockbuster world, for big ideas and dangerous emotions, and that may be the single most thrilling thing about it.”

Film School Rejects: “I will say this now, without reservation and fully confident that many will agree; Inception is easily the best big budget film of the year thus far. I’ll go further and say that it’s one of the most beautiful, well written, and fully realized high dollar films of the last five years. Inception, is close to perfection.” … “nception has a very cerebral plot, big on emotion and deeply connected to the exploration of the subconscious — but it’s an action film, and a beautiful one. Wally Pfister’s cinematography is second to none, and the digital effects work is seamless.” … “Parts of Inception are like watching an Escher lithograph come to life, which, you know — is awesome. Coupled with Hans Zimmer’s masterful score, Inception is not only a treat visually, but matched by the music from the first scene on. Inception is what The Wachowskis wish the rest of The Matrix films after the first could have been; a head trip with outrageous action sequences and a strong emotional attachment to the story.”


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2012-08-31 | 10:45:25
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2012-09-12 | 23:22:10
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